The Wig is the Whole Point: A Supergirl Pitch
“It’s like if Hannah
Montana had a baby with Mean Girls,
and that baby had heat vision!”
As soon as I struck upon this notion last night, I was immediately
both terrified and intrigued by it. How to do Supergirl right: take everything
about her that I had always thought was stupid and should be written off, and put
all the emphasis on those aspects of the character, instead of running away
from them. Because that’s the problem
with the character today, they stripped all the weird and silly parts out of her. Nowadays, Supergirl is
basically just Superman with boobs. And
while I’m not going to complain about Rule 63ing a character, it’s still
kind of boring to me.
The Pitch
Forget the origin story.
Does it really need to be explained (again) that Kara Zor-El is Superman’s
cousin from Argo City, which barely survived the destruction of Krypton, and
then got destroyed anyway? That she
alone survived only to find her cousin on Earth, getting all of his
powers? Do we really need to see a
repeat of this (terrible) scene?
(Pictured: Superman being terrible to his only living
relative for basically no reason)
No. I submit that
we do not. All we really need to know
when we open the story is that Kara arrived on Earth a few months ago, the
particulars of said arrival can be fleshed out later. She’s been honing her powers inside the
Fortress of Solitude during this time.
She’s going a little stir crazy, but honestly, Superman’s not entirely
sure what to do with this 15 year old girl who dropped from the sky into his
life.
Kara is not so much confused and moody as she is trying
her hardest to stay bright and cheerful despite viewing absolute horror. She’s a girl who has lost literally
everything and everyone she loved, and then immediately became a goddess- Which
is exactly why Superman is wary of her going out among humanity. When his parents died on Krypton, he was an
infant, he never knew them, the Kent’s were his real family. Kara grew up in a world constantly on the
brink, and watched her parents die. And
frankly, she doesn’t exactly share Superman’s sunny, Midwest-American (read:human)
values. And again, she’s 15. Naturally, Kara has started to rebel just a
little. She’s sneaking out of the
Fortress when she knows Superman won’t be around. (Superman may actually know about this, but
he’s letting her get away with it, knowing that she’s going to have to join the
world eventually.)
So, as the story opens, Kara is starting to go out into
the world, and she meets and befriends a girl named Linda Danvers. At one point, Kara has to use her powers in
front of Linda to save someone. Once
Linda knows the truth about Kara, she sets about helping Kara adapt to life on
Earth, including helping Kara get into Linda’s high school, Midvale High.
Disguised with glasses and a brunette wig, Kara may live
at the Fortress, but she now goes out to learn about the world and her place in
it. She’s Supergirl, teenage
superhero. And she’s only sure of one
thing anymore: she’s dedicated to giving everything she can to her new, second
life.
Cast
Supergirl/Kara Zor-El/Kara Zorelle
Linda Danvers (her BFF)
Richard Malverne (potential boyfriend material?)
Streaky (her cat, who is eventually added, because
Supergirl with no cat makes 0 sense to me)
Superman/Kal El/Clark Kent (reoccurring, but not really
in the main cast)
Bill Starr (other potential boyfriend material? But there’s
clearly something up with this guy, maybe even something sinister?)
Nasthalthia Thorul (chief rival and nemesis at Midvale
High)
Moving Forward From the “Pilot”
Once we get Kara started at the school, that’s where the
real interesting stuff starts. From
there, we get to do the comedy/drama that is teens in school without really
worrying too much about family drama nonsense.
Superman is a presence, but he’s not there all the time or
anything. He’s not her dad, he’s her
older cousin- he’s looking out her, sure, but it’s not like he can make her do
stuff. She’s living in a weird, creepy
fortress, but at school she can interact with kids her age. She’s the awkward new kid, befriended by the
awkward artist/skater girl.
And while she’s trying to find her place in the school,
she has to deal with her chief rival and tormentor, Nasty. Nasty is the smartest, most dangerous girl in
the school, even the teachers are afraid of her a little. She’s rich, she doesn’t care about anything,
she owns the school and she knows it.
(She’s also secretly the niece of Lex Luthor, but let’s keep that close
to the chest for a while, okay?)
Linda is really the one to push for Kara to follow in her
cousin’s footsteps. Linda feels her life
is boring until she meets Kara, and she knows she’s living her life just a
little vicariously through Kara’s. But
Kara needs Linda as much as Linda needs Kara, because Linda is her gateway to
this new world she’s found herself on. They
both feel alone in the strange world of high school, and find kindred spirits
in each other.
And then there’s Rick and Billy. Rick is one of Linda’s few friends, and while
he’s a little too straight laced in Linda’s eye, he’s a nice guy who treats
everyone as well as he can. And boy,
does he have a crush on Kara, pretty
much as soon as he meets her. Billy,
however, isn’t always nice, and he isn’t even a student at the school. In fact, he’s a little older than her, and he
keeps bumping into her all over town.
Did he drop out? Does he have a
job? Kara doesn’t know. He seems to be a
moody stranger at first, but she keeps running into him. And he’s always got weird, vaguely creepy,
but usually helpful advice for her. It’s
surprising the things he can tell, just by looking at her. It’s almost as if he can read her mind, but
that’s crazy, right?
And early on, Supergirl/Kara decides she wants someone to
talk to at the Fortress that isn’t a creepy robot, so she gets a cat named
Streaky. At some point, Streaky has to
get super powers, because OBVIOUSLY, but I haven’t decided if they’ll be permanent
or not. (Everyone knows I love me some LOSP, but I’m not entirely sure that a permanently powered Streaky would really
work for this particular take on Supergirl.)
The story is more about high school than super-heroing,
because it’s a high school drama. It’s a
big metaphor about being a teenage outsider, and like so many great superhero
dramas have done before, it uses the powers and hero stuff as a way to talk
about teenage angst and growing up. Yes,
sometimes aliens or robots show up to wreck your school, but you have to grow
past that sometimes. It’s about growing
up an underdog and realizing your true potential. And yes, sometimes that involves punching
supervillains in their ugly, stupid faces.
Because Supergirl is going to be awesome, always. Just ask her.
Final Thoughts
It feels a little weird to me. Supergirl has been rebooted a bunch of times
since she first showed up. And every new
version has pulled further and further away from her earliest "orphaned girl in
a brunette wig, trying to hide her powers form the world" form.
But can I be the only person who is completely bored by each of the
newer and newer versions that have shied away from her origins?
I say, lets embrace some of the weirder parts of the
Silver Age. Let’s make her the teenage
cousin of Superman, interacting awkwardly with the new world she has
inherited. She’s trying to pass as
normal, even though she totally is not.
And eventually, she’s going to have to address that. And by avoiding the family drama, by making
it about kids hanging out with other kids, I think we’d be in for a very
different kind of Supergirl dynamic.
What do you think?
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